![]() ![]() This mode may be ideal for groups of people in the same plan of focus, such as a group portrait, or large subjects such as a vehicle or train. Wide-Area is ideal for larger subjects or when a very specific focusing area on the subject may be less critical. The benefit for this mode is providing yourself a larger target for the benefits of either speed and/or simplicity of working. Wide-Area AF is ideal for subjects in motion where selecting a single, smaller AF target is either difficult or not needed, and/or when a larger area for focus is acceptable. The smallest option is still much larger than Single-Point AF, while the lager option has more area still. There are two options for Wide-Area AF - larger and small. Unlike Dynamic-Area AF, Wide-Area AF doesn't use peripheral sensors outside the AF area if the subject leaves the AF point. It offers a larger field of active autofocus to detect and focus on a subject. Wide-Area AF operates like a larger version of the Single-Point AF. Dynamic-Area AF is only available in AF-C mode. Sports, wildlife or other scenarios with fast moving, dynamic subjects are an ideal use for this setting. This mode is ideal if you're working on a specific composition and/or you're able to anticipate where in the frame your subject or the action will be. ![]() Most importantly, if the subject briefly leaves the AF area, the Z 9 will use the surrounding points to continuously track and focus on the subject. The smallest Dynamic-Area box is the same size as the standard Single-Point AF mode, while the medium and large boxes are larger.ĭynamic-Area AF mode is ideal for fast moving subjects and want to cover a larger portion of the frame with the AF box, whereby the user has to be less precise with point selection due to having a more forgiving and larger area of autofocus. The Dynamic-Area modes offer various size AF selectable area boxes - small, medium and large. This mode is ideal for stationary subjects and when you want to choose the exact point of focus. The Single-Point mode offers a standard sized AF point whereby one of the camera's 493 AF points is selectable. Single-Point AF is similar to Pinpoint AF, but this mode is available in AF-S as well as AF-C. I've found that the tradeoff for the precision of the pinpoint mode is that focus speed can be slower, especially in low light (expected if a smaller area is being “sampled” for focus than the standard, single AF point modes). I've found that Pinpoint AF is ideal for when you're using very shallow depth of field photography or you want to select a focus point that's otherwise smaller than the conventional AF points offered. Pinpoint AF is only available in AF-S and offers a very small, very precise AF point that is ideal for static subjects. Let's dive into the different options and cover what these modes do, how they operate and what subjects they're best suited to photographing. In addition, Nikon has re-introduced my personal favorite mode, 3D Tracking. This Nikon flagship offers up many of the same modes as were previously available in cameras like the Nikon Z 6/Z 6II and Z 7/Z 7II, but adds some sophisticated improvements and advancements. The Nikon Z 9 offers the largest number of AF area modes yet in a Z mirrorless camera. In addition, I feel that AF-C also synergies with my preferred AF-Area mode that has been restored with the Nikon Z 9, 3D Tracking. With subjects that are often moving, AF-C excels. My recommendation: I use AF-C almost 100% of the time for my own work as a music photographer. MF: Manual focus allows for manual control over the focus. By default, the Z 9 is set to release priority, by which the camera's shutter can be released regardless of whether focus has been achieved or not. This mode is ideal for moving subjects and dynamic scenes. By default, the Z 9 will be set to focus priority, meaning that the shutter can only be released when the camera achieves focus.ĪF-C: Continuous AF allows for continuous focusing while autofocus is enabled (whether via the shutter release or the AF-ON button). Focus Modeįor still photography, there are three modes to choose from:ĪF-S: Single AF is ideal for static subjects. Here are my recommendations, including my favorite modes as a professional music photographer. Whether you're coming from another a DSLR or another Nikon Z camera, the Z 9 has just about an autofocus mode for every situation. As the flagship camera, the Z 9 possesses what are the most sophisticated autofocus seen yet in a Nikon camera, as well as industry leading performance overall. The Nikon Z 9 has no shortage of AF modes. ![]()
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